icon icon icon icon icon icon icon

Songs of home: preserving culture and hope in Ukraine

Woman in traditional dress holding a bandura

Diana Polishchuk poses in traditional dress with her bandura. Photo: Raegan Hodge/CARE

Diana Polishchuk poses in traditional dress with her bandura. Photo: Raegan Hodge/CARE

Looking like a cross between harp and guitar, the bandura is an instrument steeped in Ukrainian history and culture. For Diana Polishchuk, a Ukrainian refugee living in Nowy Dwór Mazowiecki just upriver from Warsaw, Poland, playing the bandura has become a way to process her feelings and her turbulent recent history, while giving others a poignant reminder of home.

“We moved here because the war broke out,” says Diana, 22. “A lot of people died in the front line as well as my mother’s friend. When he was brought home dead, my mom was very upset about it. We started to worry, and she decided to move to Poland. A bit later I followed my mom and moved as well.”

History records the first bandura players, Ukrainian court musicians in Poland, appearing in the 15th century. However, in Ukraine the use of lute-like stringed instruments dates to 591. In the Middle Ages a group of Ukrainian professional musicians began to emerge, similar to the troubadours of France, and their songs were typically Homeric epics depicting historical events.

In the 20th Century there was renewed interest in bandura playing amongst Ukrainians, as new ensembles formed, conservatory courses were offered, and the instruments began to be mass produced.

Because the bandura was such a symbol of Ukrainian culture, musicians were persecuted by conquering powers, most recently by the Soviets. “In the 1930s all the bandura musicians were collected to a musical festival; they were all invited,” Diana says. “The idea was to collect them all in one place and execute. They were killed on the way to the festival.”

Photo: Raegan Hodge/CARE

Stressful work, stress-busting outlet

When not playing, Diana works for a company that helps Ukrainian refugees find work in Poland, providing valuable assistance with visas, work permits, and much more – along with surmounting a language barrier. This work complements what CARE is doing, providing jobs, accommodations, and mental health services, as well as financial assistance to Ukrainians who have been forced from their homes by conflict.

“Today I was picking up people: there were three women and one child… who would go to the Baltic Sea area,” Diana says. “We have found job[s] for them there. They will be living in better conditions and work.”

“You need to have strong nerves to solve the conflicts that appear,” Diana adds.

“To overcome my stress, I play bandura – this is a way to express my emotions.”

Because it has survived for centuries, despite seasons of oppression, bandura music lifts spirits for more than just musicians like Diana. “The music I am playing, the songs I am singing, give hope to people,” she says. “They remember that they are Ukrainians, they remember what is Ukrainian song that inspires them.”

Diana still has friends in Ukraine and worries most about her male friends and relatives who are now fighting. Meanwhile, she grieves for all the losses her fellow Ukrainians have endured.

“It breaks my heart thinking about all who died there, those who were wounded and have lost part of their bodies, and for those who have lost their houses,” she says. “I can’t believe this is happening in the modern world now. It is real grief. I worry especially for my friends, it’s difficult. And I worry for my relatives as well. I want everyone to be healthy and live a normal life, and to be alive and continue living.”

Bandura: Songs from Ukraine

For Diana Polishchuk, a Ukrainian refugee living in Nowy Dwór Mazowiecki just upriver from Warsaw, Poland, playing bandura has become a way to process her feelings and her turbulent recent history, while giving others a poignant reminder of home.

Back to Top